welcome
2026
show info
Blue Hour: A field report tracing care, cognition, and the future body. Where artificial systems meet emotion, and tech becomes ritual.
( 01. )
about
( 01. )
(
01.12.26
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)
Title
(
12.06.26
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)
The Archives of Lotta Volkova 2015-2025
(
01.03.26
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)
‘Newton was everything Saint Laurent loved.’
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‘They all love Puck, when it’s not about them.’
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‘We’re neither an art school nor a business school. We’re a fashion school.’
welcome
2026
show info
Blue Hour: A field report tracing care, cognition, and the future body.
Where artificial systems meet emotion, and tech becomes ritual.
(
01.12.26
.
)
Title
About
(
12.06.26
.
)
The Archives of Lotta Volkova 2015-2025
Harley Weir, Re-Edition, Issue 1, Spring 2015 Harley and I decided to shoot in Moscow. At the time I didn’t have an assistant and embarked on the journey with multiple suitcases full of Vetements, Margiela, Bless, a couple of advertisers and of course, Prada. Location was the Sovetskiy Hotel. It would become one of those shoots that I feel [...]
(
01.03.26
.
)
‘Newton was everything Saint Laurent loved.’
On 1 August 1981, the shutters were pulled shut and Yves Saint Laurent’s headquarters on Avenue Marceau became a maison close: a ‘closed house’ or brothel in French. But not like the one in Joseph Kessel’s 1928 novel Belle de Jour, filmed by Luis Buñuel in 1967 with costumes by Yves Saint Laurent. In the movie, the heroine, Séverine – a jaded bourgeois housewife with masochistic leanings
(
.
)
‘They all love Puck, when it’s not about them.’
It’s Lauren Sherman’s business to know your business. Text and interview by Jonathan Wingfield Photographs by Daniel Jack Lyons
(
.
)
‘We’re neither an art school nor a business school. We’re a fashion school.’
At Paris’s Institut Français de la Mode, the synergy between fashion design and management is helping shape the industry’s future. The Institut Français de la Mode’s distinctive, serpentine, chartreuse-green-and-transparent building alongside the River Seine has become a modern Paris landmark. Since 2021, it has been IFM’s HQ, the latest chapter in the history of an institution that has mirrored France’s fashion industry – and culture at large – for decades.
welcome
2026
show info
Blue Hour: A field report tracing care, cognition, and the future body.
Where artificial systems meet emotion, and tech becomes ritual.
( 01. )
index
( 01. )
(
12.12.26
.
)
The concept of Dover Street Market is to make mistakes.
DSM’s Adrian Joffe and Fashion East’s Lulu Kennedy on bridging the gap between emerging designers and global retail [...]
(
12.06.26
.
)
The Archives of Lotta Volkova 2015-2025
Harley Weir, Re-Edition, Issue 1, Spring 2015 Harley and I decided to shoot in Moscow. At the time I didn’t have an assistant and embarked on the journey with multiple suitcases full of Vetements, Margiela, Bless, a couple of advertisers and of course, Prada. Location was the Sovetskiy Hotel. It would become one of those shoots that I feel [...]
(
01.03.26
.
)
‘Newton was everything Saint Laurent loved.’
On 1 August 1981, the shutters were pulled shut and Yves Saint Laurent’s headquarters on Avenue Marceau became a maison close: a ‘closed house’ or brothel in French. But not like the one in Joseph Kessel’s 1928 novel Belle de Jour, filmed by Luis Buñuel in 1967 with costumes by Yves Saint Laurent. In the movie, the heroine, Séverine – a jaded bourgeois housewife with masochistic leanings
(
.
)
‘They all love Puck, when it’s not about them.’
It’s Lauren Sherman’s business to know your business. Text and interview by Jonathan Wingfield Photographs by Daniel Jack Lyons
(
.
)
‘We’re neither an art school nor a business school. We’re a fashion school.’
At Paris’s Institut Français de la Mode, the synergy between fashion design and management is helping shape the industry’s future. The Institut Français de la Mode’s distinctive, serpentine, chartreuse-green-and-transparent building alongside the River Seine has become a modern Paris landmark. Since 2021, it has been IFM’s HQ, the latest chapter in the history of an institution that has mirrored France’s fashion industry – and culture at large – for decades.